The
key concern with the project was to develop an attitude and approach towards
an appropriate building envelope.
The film studio complex consists primarily of three large studio spaces with
a range of smaller ancillary accommodation from loading bays, breakout space,
administration offices and social space.
Set adjacent to a business park with the usual range of serviced private sheds
it seemed necessary to develop a formal language that detached the film studio
from the form and scale of the surrounding buildings. We felt there was an
opportunity for the building form to be expressive of it’s status and
function as a film studio. The balance of judgment was in creating a container
for a series of large internal volumes which is honest to it’s function
while introducing an aspirational overtone hinting at the creative magic of
filmmaking.
The presence of the River Clyde presented a dilemma insofar as the
building activity is essentially internalised yet the river presents an opportunity
to create a focal point to the building both spatially and symbolically. It
was decided to orientate the building obliquely to the river.

This
allows for vehicular arrival directly from the west so as not to interfere
with the principal orientation of public spaces to the east. The view to
the east is prioritised as it presents the most expansive and open view and
coincides with the view facing back towards the city of Glasgow on the horizon.
Given the relative isolation of the site this seemed to be an important reference
point in order to understand location geographically.
Formally the building is wedge shaped in both plan and section in a manner
expressive of the internal organisation. A series of ‘cuts’ are
introduced to the building envelope allowing for both formal and service entrances
to be signaled. The ‘cuts’ also allow for roof top external spaces
to be opened in response to surrounding views. The building is clad entirely
in black steel panels.
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